Colorist & Post-Production Specialist
Color grading is more than just making images look good—it’s about sculpting mood, guiding emotion, and enhancing the story through color. As a colorist, I’ve worked across a variety of projects including music videos, narrative films, and branded content, delivering consistent, cinematic results.
My workflow is built around DaVinci Resolve, and I’m experienced in working with footage from a wide range of cinema cameras including RED (R3D), Blackmagic (BRAW), Canon (C-Log), and Sony (S-Log). I’m comfortable grading in different picture profiles and gamma curves, and I understand how to properly transform footage using ACES color management, ensuring accurate color consistency across devices and delivery formats.
Technically, I work with 10-bit and 12-bit footage, taking full advantage of the color depth for smooth gradients and precise adjustments. I regularly use power windows, advanced masking, and tracking for skin isolation, relighting, and selective color correction. My experience also includes shot matching across multiple cameras and lighting conditions, maintaining continuity and visual harmony throughout the edit.
From building custom LUTs and stylized looks, to refining skin tones and highlights, my goal is always to enhance the image while staying true to the creative vision of the director or client.
